Monday, January 27, 2014

Anyone Lives In A Pretty How Town

E.E. cummings is wiz of the most famous poets of the twentieth century. His unmatched style with both the language of his numberss as intumesce as the format have broke through frontiers in the poetise stress world. His verse forms often contain a b are(a) t ane, as healthy as a thorny wit which add to the apostrophize of the work. wholeness of his most well know meters, anyone dies in a comely how t inducesfolkspeople was written in such a manner. provided, beneath the charming exterior of the meter, lies a deep meaning. This poem was written to express Cummings disdain with nightspots mental attitude toward identity operator, and their apathetical approach to life.          This poem of E.E. Cummings clearly portrays his philosophy on life. A major form on the poem was Cummings peevishness with the static, pompous, and dull wad surrounding him. The poet took his interpretation of despise from Dante, construction that hate is still delight in perverted. He and so applied this interpretation to the reenforcement dead around him. Because he believed that their behavior was non the resolve of a force, such as evil, withal earlier a willful distortion of good, he was up to(p) to react with craziness against those who acted in this fashion. Cummings poured energy into measure and celebrating cognizers and those who call down, while at the same time set off against those with no respect for individuality.         The eldest stanza of the poem sets the tone as well as the themes and motifs for the undefiled piece. It introduces the subject of the poem, anyone. When viewed as general, anyone is not referring to someone in particular, merely rather any system who happens to conk in this townsfolk. However if viewed on a more specific level, anyone is the hired gun of the poem. He is referred to in such a manner to consider clear the towns populations lack of c onceive for him. This characteristics of t! his town are explored in the rest of the line, in a beauteous how town. By shifting the phrase of how pretty a town and placing how as an adjective show the composition that the particular panache of doing things rather of the feeling behind the transaction is what matters most (Lane 100). The syntactic dislocations in line two likewise help set the poem in motion. There is a juxtaposition of floating and bells, up and down to provide a musical tone to the words. The perform bells symbolize wheel arounds: day and night, have got and death, peace and war. Line triplet poke outs this effect with the cycle of internal growth, spring, summer, autumn, winter. The rhythm suggests the release of time. The last line of the stanza shows how adjuratory action is to anyone. He sing and dancingd, revealing his respect and love for life (Friedman 105).         In the adjacent(a) stanza women and men are introduced as beingness both bittie and small. Instead of being big and small, the normal comment of physical attributes, they are little and small, with no individuality or emotions. Not single did they harbor no love for the booster, they loved no one else either. The townspeople wasted their exserts and in time ? they sowed their isnt they reaped their same/ sunlight moon stars rain. The same vacuum cleaner descends upon their children         The children guessed that a girl named noone was in love with anyone. However, as they grew and detect the lack of emotion displayed by the adults their awareness faded. And once they were nether the impression that no one loves anyone, the children forgot their intuitive feeling that in truth noone loves anyone. In item this is an all-important(a) piece of the poem. It is noone who fills the intermission in anyones heart. Crying with him during his badly times and laughing with him during the animated ones brin g liveliness to her lover. homogeneous a bird bring! s the stretch of spring to a winter, or a breeze stirs up the stillness of summer, she fills the void. (Lane 101).         The fifth stanza reiterates the suaveness of the townspeople. Someones married their everyones- unlike the numbfish and heroine of the poem who viewed love as a precious and essential gift, the nameless members of the town apparently married other nameless inhabitants out of duty. The next line illustrates the difference between the hero and the town. Anyone springd his did, while the townspeople did their dance. However these two dances differ in their nature immensely. While anyones dance was one of action and life, the dance of the townspeople is monotonous. Where others say prayers at night, these characters say nevers. Prayers require hope, purpose, and emotion, which are all characteristics which are abstracted in the members of the town. Not moreover do they say their nevers but they calmness their dream They limit themselves to empty rituals.         All keeps moving, the seasons and the days, and with it the children grow as dull and imperceptive as their parents. They forget their sense of individuality and conform. Only the snow which symbolizes the chilly touch of time tail assembly begin to apologise how the children forget (Clark). They lose their purpose and goals, never again venturing from the cycle of birth and death, night and day, peace and war.         In the s veritable(a)th and 8th stanzas the hero dies. The word used in the line to severalise the feeling when he perished is guess. One day anyone died I guess, this truly shows how unattached the town was, and how disjointed society still is. When anyone died, noone (the only one who cared) asymmetrical to kiss his governing body and then died as well. There was no mourning following their deaths, only busy folk who came to inhume them together. But stock-still in d eath the hero and heroine do not stop their dream ! like the townspeople they despise, rather they dream their sleep(Lane101).. Anyones love for growth and action did not die with his body but lived on with his soul.         The last stanza of the poem describes how the rhythms of life continue as they had before. The death of a associate degree soul having no impact on their daily lives. However, even in the last stanza, E.E. Cummings reflects on the ideal way to live life, and the way the people in this town make to live it. Women and men (both dong and ding)- dong and ding typifies how people are supposed to be individuals, make their own decisions, and live their own lives (Lane 102). This issue has been constantly brought up in the poem. Differences should be embraced and respect rather than shunned as they are in this pretty how town.         The poem anyone lives in a pretty how town illustrates Cummings disgust with society. Each word, line, and stanza symbolize an aspect o f the town he despises. Cummings uses the physical form of the poem to tone up his message that maintaining individuality is crucial and those who simply conform to others broadcast canal of thinking are not whole. His love for life, and hate towards those who run to appreciate it are passionately depicted in this poem. If you privation to get a full essay, order it on our website: BestEssayCheap.com

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